Tethers of a whole, exhibited in August 2024 and January 2025

Sea, me and sandscapes
Acrylic monoprint on raw canvas
886 x 158 cm
2024

Detail of Sea, me and sandscapes

A view from a golden hue
Acrylic monoprint on viscose
104 x 78 cm
2024

A view from the blues
Acrylic monoprint on viscose
124 x 155cm
2024

Portal
Acrylic monoprint on viscose
124 x 155 cm
2024

Stitched to the bones 1
Acrylic monoprint and watercolour on viscose
44 x 32 cm
2024

Stitched to the bones 2
Acrylic monoprint and watercolour on viscose
32 x 44 cm
2024

Installation view

All photos above credit: Jon Webber

Installation view of Sea, me and sandscapes from the January 2025 exhibition at Artinformal gallery in Manila, Philippines
Tethers of a whole, August 2024 at The People’s Gallery, Southend Forum Library
Sea, me and sandscapes was also exhibited in January 2025 at Artinformal gallery in Manila, Philippines
I’m currently exploring the concept of wholeness and what it offers to my sense of self. How does it feel to be whole? What are the sensations, tension, conflict or fantasies that bring me to it, or prevent me from getting closer? And how does this shape my relationship to self and others?
The images for this exhibition are the physical imprints of the parts of me that are searching for wholeness. I use string as a metaphor for these parts that surface when I need them, but most curiously when they arrive uninvited. These parts carve out a path and they sometimes meet. They can merge and diverge; or get stuck and tangled up in knots. In some cases, they are fragmented and miss each other entirely.
It is a messy business to unravel these parts, producing a map of the emotional residue left in their wake. This map is a reflection of my interaction with the world where I’m tethered to people and places: the land, the sky, the sea and the sand.