Tethers of a whole, August 2024

Sea and sandscapes
Acrylic monoprint on raw canvas
850 x 158 cm
2024

Detail of Sea and sandscapes

A view from a golden hue
Acrylic monoprint on raw canvas
104 x 78 cm
2024

A view from the blues
Acrylic monoprint on raw canvas
124 x 155cm
2024

Portal
Acrylic monoprint on viscose 
124 x 155 cm
2024

Stitched to the bones 1
Acrylic monoprint and watercolour on viscose
44 x 32 cm
2024

Stitched to the bones 2
Acrylic monoprint and watercolour on viscose 
32 x 44 cm
2024

Installation view 

All photos credit: Jon Webber

Tethers of a whole, August 2024
The People’s Gallery, Southend Forum Library

I’m currently exploring the concept of wholeness and what it offers to my sense of self. How does it feel to be whole? What are the sensations, tension, conflict or fantasies that bring me to, or prevent me from getting to this state of being.

The images for this exhibition are the physical imprints of the parts of me that are searching for a sense of wholeness. I use string as a metaphor to express these individual parts that arise when called upon in specific situations, environments and relationships.

These parts carve out a pathway where they may or may not encounter one another. They can merge and diverge; or get stuck and tangled up in knots. In some cases, they are fragmented and miss each other entirely.

It is a messy business to unravel these many different parts of me, which produce a map of the emotional residue that gets left behind. In some way, this map reflects my real interaction with the world where I’m tethered to people and places: the land, the sky, the sea and the sand.

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